Bela Tarr's last film I found it quite moving and extraordinary. none of the childish pyrotechnics of say Melancholia or other end of the world flicks; an adult look at despair. there are a number of shots of the horse's face which reach the levels of a Goya painting (see the Dog) http://movies.nytimes.com/2012/02/10/movies/the-turin-horse-from-bela-tarr.html rich