Critical Thinking

Kai Frederik Lorentzen lorentzen at hotmail.de
Thu Sep 20 05:55:00 CDT 2012


For me please a Wall Street Novel covering the years 1989-2008. About 
350 pages.
And no talking animals!

On 20.09.2012 02:16, Don Higgins wrote:
> I'd like to see an 800 page civil war novel.
>
> --- On Wed, 9/19/12, malignd at aol.com /<malignd at aol.com>/ wrote:
>
>
>     From: malignd at aol.com <malignd at aol.com>
>     Subject: Re: Critical Thinking
>     To: pynchon-l at waste.org
>     Date: Wednesday, September 19, 2012, 5:38 PM
>
>     Isn't that what M&D was, larded down with all the lame jokes and
>     "funny" names and sophomoric humor and talking ducks, etc., that
>     he can't seem to let go of?  Do you really want more of that?  I
>     would like to see him seriously engage the present and toss aside
>     all of what have long become weary stylistic tics and
>     dead-in-the-water go-tos.
>
>
>     -----Original Message-----
>     From: Paul Mackin <mackin.paul at verizon.net>
>     To: pynchon-l <pynchon-l at waste.org>
>     Sent: Wed, Sep 19, 2012 11:27 am
>     Subject: Re: Critical Thinking
>
>
>     Maybe what needs to happen is for Pynchon to bite the bullet and
>     get Retro. That's what readers, including "highbrow" ones,
>     probably want these days. So maybe, on the next novel, drop the
>     Tomfoolery and get more with the times.
>
>     In other words there's a lot of truth in what Rich said about the
>     readers' tastes changing. Rich was talking about himself, but we
>     can generalize it. Acknowledging this fact rather than laying it
>     all on the author's writing quality makes sense to me.  So in a
>     way it's Us not Him.  In a way, but not in a good way.
>
>     What I'd like to see is for Pynchon to put his enormous talents to
>     something we might actually enjoy reading.  Horror, Gothic,
>     Mystery.  I'm not kidding.  These genres can be done very well if
>     the writer has talent.
>
>     Please Mr. Pyncher, do it for your fans.
>
>
>     P
>
>
>
>
>     On 9/19/2012 10:44 AM, Keith Davis wrote:
>>     I enjoyed IV and I'll read it again sometime. Don't care if it's
>>     not earthshaking like GR. I took it as a parody of detective
>>     fiction. Still recognized P's voice. Still weird and funny.
>>
>>     On Wed, Sep 19, 2012 at 2:22 AM, jochen stremmel
>>     <jstremmel at gmail.com </mc/compose?to=jstremmel at gmail.com>> wrote:
>>
>>         "Contrast it with IV, where the style is P at his worst."
>>
>>         Some examples?
>>
>>         "There i nothing wrong with Larry's story, but the telling of
>>         it is poor."
>>
>>         Some proof?
>>
>>         The rest of your reasoning, Pynchon-wise, literature-wise, is
>>         sound, in my eyes.
>>
>>
>>
>>         > On Tue, Sep 18, 2012 at 5:07 PM, rich
>>         <richard.romeo at gmail.com
>>         </mc/compose?to=richard.romeo at gmail.com>> wrote:
>>         >> one of the things I wonder about is as you say re GR-- Pynchon
>>         >> "historical facts which were hard to find in middle of the
>>         road
>>         >> history book." One of Pynchon' shtick was the overly-detailed
>>         >> authentic voice/fact/scenarios he dreams up. but now with
>>         the hyper
>>         >> info drip feed/accessible 24/7, is this not as cool as it
>>         once was?
>>         >> i'm trying to denote clearly why say AtD is missing the
>>         punch of
>>         >> previous books. is it he culled all the facts and what
>>         came out was
>>         >> not so interesting as before, or we're all encyclopedias
>>         now (that'll
>>         >> be my banner slogan, ha!) so if you replicate an era
>>         precisely but you
>>         >> lack a convincing story, it doesnt matter how well you
>>         write--it still
>>         >> comes off as dull or all research. M&D had those
>>         characteristics also
>>         >> but the underpinning story was just as good I thought.  In
>>         short, I
>>         >> guess I still enjoy Pynchon for the language, the level of the
>>         >> sentence like I noted before about DeLIllo but not so much
>>         anymore the
>>         >> stories he's telling or the level of historical detail and
>>         research
>>         >> that went into the book.
>>         >>
>>         >> p.s. Kai I can appreciate that you argue with
>>         non-novelists. I wish I
>>         >> had the stamina to read philosophy but I don't. guess as
>>         Coover says
>>         >> we need stories or I need stories.
>>         >>
>>         >> rich
>>         >>
>>         >> On Tue, Sep 18, 2012 at 3:27 PM, Kai Frederik Lorentzen
>>         >> <lorentzen at hotmail.de
>>         </mc/compose?to=lorentzen at hotmail.de>> wrote:
>>         >>>
>>         >>>> my favorite novelist
>>         >>>
>>         >>> Make that novelists: The slip - if telling at all -
>>         probably has to do with
>>         >>> the fact that I reread Der Zauberberg (The Magic
>>         Mountain) in early summer
>>         >>> and - Hey man, the best book! - it simply rocked my mind.
>>         But Pynchon is
>>         >>> definitely still on my list!
>>         >>>
>>         >>>
>>         >>> On 18.09.2012 21:12, Kai Frederik Lorentzen wrote:
>>         >>>
>>         >>>
>>         >>> Myself I don't have this that much with novels anymore. I
>>         argue in my mind
>>         >>> with philosophers, social scientists, or mystics. Not
>>         with novelists, whose
>>         >>> works I consider more to be like symphonies or poetry. To
>>         argue with Pynchon
>>         >>> about, say, his take on the Balkans question in AtD does
>>         not appear to be
>>         >>> fruitful to me. It's like argueing with Ezra Pound on
>>         Confucianism when you
>>         >>> read The Cantos. Gravity's Rainbow way back was different
>>         insofar as it
>>         >>> contains historical facts which were hard to find in
>>         middle of the road
>>         >>> history books. Of course it still interests me what my
>>         favorite novelist
>>         >>> think about this and that - like Thomas Mann's changing
>>         attitudes towards
>>         >>> the West over the years -, but basically it's all about
>>         melody and rhythm.
>>         >>>
>>         >>> On 18.09.2012 15:41, rich wrote:
>>         >>>
>>         >>> something ive been mulling over in my mind recently--do
>>         you find
>>         >>> yourself having conversations with the novels you read
>>         (and indirectly
>>         >>> the novelist I suppose), I mean arguments, questions,
>>         confusions,
>>         >>> anger at times, too. I wonder why despite feeling
>>         somewhat negative
>>         >>> about Pynchon's last two books I continue to engage them.
>>         Far be it
>>         >>> for me to want to be one of those guys or gals who harp
>>         ad nauseum
>>         >>> about the things they obviously hate. I mean if you dont
>>         feel the need
>>         >>> to argue with the writer you're reading, that must mean
>>         something.
>>         >>> Pynchon has really annoyed me the last few yrs (much of which
>>         >>> admittedly is not his fault--Ive changed, he hasn't or
>>         maybe he has
>>         >>> who knows).  there seems to be some benefit for me to
>>         argue with him.
>>         >>> guess i'll just continue on with that
>>         >>>
>>         >>> rich
>>         >>>
>>         >>>
>>         >>>
>>         >>>
>>         >>>
>>         >>>
>>
>>
>>
>>
>>     -- 
>>     www.innergroovemusic.com <http://www.innergroovemusic.com>
>

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