After 1945
Monte Davis
montedavis at verizon.net
Fri Jun 14 17:08:22 CDT 2013
Sweet. First book looks like it could be a valuable bridge between the victors' 1945 and that of the Germans -- GR has lots of Year Zero but none of the German trajectory after 1945, when the rockets moved out and GR zooms off to LA 1973.
Second book.... hmmm... why 1926? First person to get it and find out, please please tell me.
-----Original Message-----
From: owner-pynchon-l at waste.org [mailto:owner-pynchon-l at waste.org] On Behalf Of Dave Monroe
Sent: Friday, June 14, 2013 2:46 PM
To: pynchon -l
Subject: After 1945
After 1945: Latency as Origin of the Present
Hans Ulrich Gumbrecht
What is it the legacy that humankind has been living with since 1945?
We were once convinced that time was the agent of change. But in the past decade or two, our experience of time has been transformed.
Technology preserves and inundates us with the past, and we perceive our future as a set of converging and threatening inevitabilities:
nuclear annihilation, global warming, overpopulation. Overwhelmed by these horizons, we live in an ever broadening present. In identifying the prevailing mood of the post-World War II decade as that of "latency," Gumbrecht returns to the era when this change in the pace and structure of time emerged and shows how it shaped the trajectory of his own postwar generation.
Those born after 1945, and especially those born in Germany, would have liked nothing more than to put the catastrophic events and explosions of the past behind them, but that possibility remained foreclosed or just out of reach. World literatures and cultures of the postwar years reveal this to have been a broadly shared predicament:
they hint at promises unfulfilled and obsess over dishonesty and bad faith; they transmit the sensation of confinement and the inability to advance.
After 1945 belies its theme of entrapment. Gumbrecht has never been limited by narrow disciplinary boundaries, and his latest inquiry is both far-ranging and experimental. It combines autobiography with German history and world-historical analysis, offering insightful reflections on Samuel Beckett and Paul Celan, detailed exegesis of the thought of Martin Heidegger and Jean Paul Sartre, and surprising reflections on cultural phenomena ranging from Edith Piaf to the Kinsey Report. This personal and philosophical take on the last century is of immediate relevance to our identity today.
http://www.sup.org/book.cgi?id=22540
Exellence 2012: Hans Ulrich Gumbrecht: "After 1945: About the emergence of a new relation to time"
http://vimeo.com/41344114
In 1926: Living on the Edge of Time
Travel back to the year 1926 and into the rush of experiences that made people feel they were living on the edge of time. Touch a world where speed seemed the very essence of life. It is a year for which we have no expectations. It was not 1066 or 1588 or 1945, yet it was the year A.A. Milne published Winnie-the-Pooh and Alfred Hitchcock released his first successful film, The Lodger. A set of modern masters was at work—Jorge Luis Borges, Babe Ruth, Leni Riefenstahl, Ernest Hemingway, Josephine Baker, Greta Garbo, Franz Kafka, Gertrude Stein, Martin Heidegger—while factory workers, secretaries, engineers, architects, and Argentine cattle-ranchers were performing their daily tasks.
Hans Ulrich Gumbrecht opens up the space–time continuum by exploring the realities of the day such as bars, boxing, movie palaces, elevators, automobiles, airplanes, hair gel, bullfighting, film stardom, dance crazes, and the surprise reappearance of King Tut after a three-thousand-year absence. From the vantage points of Berlin, Buenos Aires, and New York, Gumbrecht ranges widely through the worlds of Spain, Italy, France, and Latin America. The reader is allowed multiple itineraries, following various routes from one topic to another and ultimately becoming immersed in the activities, entertainments, and thought patterns of the citizens of 1926.
We learn what it is to be an “ugly American” in Paris by experiencing the first mass influx of American tourists into Europe. We visit assembly lines which turned men into machines. We relive a celebrated boxing match and see how Jack Dempsey was beaten yet walked away with the hearts of the fans. We hear the voice of Adolf Hitler condemning tight pants on young men. Gumbrecht conveys these fragments of history as a living network of new sensibilities, evoking in us the excitement of another era.
http://www.hup.harvard.edu/catalog.php?isbn=9780674000551
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