on Double Agents: Espionage, Literature, and Liminal Citizens

Rev'd Seventy-Six revd.76 at gmail.com
Sun May 12 09:13:39 CDT 2013


And if the subject is spies, authors and ambivalent sexuality,
wouldn't hurt to discuss real-life spies like David Cornwell (John Le
Carre, who surprised me with his gentle, non-judgmental attitude
toward gay agents) or the great beast AC, who, rotten poesy aside,
made England proud with his brief turn at tradecraft.

On 5/9/13, Mark Kohut <markekohut at yahoo.com> wrote:
> Well, why were white, gay bourgeois writers interested in spying? Does this
> mean TRP is...gay? (joke) Or just liminal?
>
>
>
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> Double Agents
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> Espionage, Literature and Liminal Citizens
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> Why were white bourgeois gay male writers so interested in spies, espionage,
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> readings of Marcel Proust's novels, W. H. Auden's poetry, and Tony Kushner's
> play Angels in America, which all reference real-life espionaage cases
> involving Jews, homosexuals, or Communists, Carlston connects gay men's
> fascination with spying to larger debates about the making and contestation
> of social identity.  Carlston argues that in the modern West, a distinctive
> position has been assigned to those perceived to be marginal to the nation
> because of non-visible religious, political, or sexual differences. Carlston
> pinpoints moments in which national self-conceptions in France, England, and
> the United States grew unstable. Concentrating specifically on the
>  Dreyfus affair in France, the defections of Communist spies in the U.K.,
> and the Rosenberg case in the United States, Carlston directly links
> twentieth-century tensions around citizenship to the social and political
> concerns of three generations of influential writers.
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