BE: Inside Flap
Mark Kohut
markekohut at yahoo.com
Wed Oct 9 21:24:56 CDT 2013
Carville already pointed to one Seinfeld show allusded to...
From: Robin Landseadel <robinlandseadel at comcast.net>
To: pynchon-l at waste.org
Sent: Wednesday, October 9, 2013 10:12 AM
Subject: BE: Inside Flap
The author's brief description of Bleeding Edge on the inside cover
runs over both flaps, ending with the sentence "Hey, Who wants to
know?" Before that, we find out that the author is "Channeling his
inner Jewish mother", said Jewish Mother being Maxi, I'd guess. "One
hell of a Mother" to paraphrase Viv Stanshall. But the author also
asks "Will Jerry Seinfeld make an unscheduled guest appearance?" One
might say that this question sets up certain expectations. One might
also say that we have to determine for ourselves—"Is this a "Right
Question" or is this a "Wrong Question"? Is this a key to content or
another red herring?
One thing I'd take a crack at here—I don't think the Jewish World View
was at the center of any of the author's previous works, save in it's
erasure in Gravity's Rainbow, along with the erasure of a host of
other cultures, tribes. Otherwise, it might be mentioned, might leave
a trail of breadcrumbs that lead to some aspects of Jewish Mysticism
in the general "Woo-woo" category that Pynchon spends so much time
pursuing. But there are also all those elements of the most secular
aspects of Jewish culture, particularly those that the Upper West side
embodies. Passover is celebrated by folks who've got a Yantra on one
wall, a Ketubah on another next to a Tibetan Thanka and a Xena poster
on the third. "How is this day different than any other day?" Good
question.
So, as the Crying of Lot 49 is ruled by the Catholic calender, I'll
take a stab at the notion that the Jewish calendar might have similar
significance in this book. Waiting for that "unscheduled guest
appearance" and the empty seat at the Thanksgiving suggest passover to
me. In this regard, calendar-wise, turned upside down. But clearly the
calendar counts. You don't start and end a book on the first day of
spring without that being something the author is pointing at.
If this books feels different if might be that the rules of the game
have shifted. The references to the occult that usually pile up like
empty styrofoam cups on the roadsides of Pynchon's books are more
neatly tucked away in the corners of this book. The author seems a bit
more "occult" about these things this time than say in "Against the
Day."
I can't get over the notion that the TV show "Seinfeld" will prove to
be a major frame of reference here.
Seinfeld as Elijah? Why not?-
Pynchon-l / http://www.waste.org/mail/?list=pynchon-l
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