Odds of another Pynchon novel

[msacha1121 at gmail.com]

Then there are those writers who have no predetermined sense of an audience at all, if we're to believe what they say about it. The reader an unknown, and unthought-of element as far as the process of writing is concerned. Some even write "for the drawer," and are published only after death, if at all. Since we have no statement from Pynchon on the matter, I'd like to express simple gratitude that he wants someone to read what he writes. GR, M&D, VL and BE all sit on the same shelves. We make of them what we will.

> On Jun 18, 2015, at 8:10 AM, Mark Kohut <mark.kohut at gmail.com> wrote:
> 
> I disagree as previously stated. Please tell me one major writer, one Nobel
> level, NBA winning, Pulitzer-refused writer who says his or her novels are
> "for different audiences"....
> 
> Almost all writers write their best for all the readers they hope to
> reach, I suggest.
> 
> Mark
> 
>> On Thu, Jun 18, 2015 at 7:58 AM, Jerome Park <jeromepark3141 at gmail.com> wrote:
>> Agreed. So what can we make of this? The California books plus Bleeding
>> Edge, or what we might call the shorter works, are written in a very
>> different style, and, if we apply my simple rhetorical triangle, and the
>> idea of distance, we can speculate that the shorter works, sometimes called
>> Pynchon-Lite or whatever, were composed for a different audience, dare I say
>> market?
>> 
>> On Wed, Jun 17, 2015 at 1:51 PM, Thomas Eckhardt
>> <thomas.eckhardt at uni-bonn.de> wrote:
>>> 
>>> Religious and mythical vs. political forces? The
>>> political/economical/technological aspect has always been part of it ("I
>>> need my night's blood, my funding (...)"). But yes, the shorter novels are
>>> more overtly political and the "Gnostic" aspect is toned down. THEY are more
>>> concretely identified with government agency -- or, more to the point, the
>>> agency of hidden forces within and outside the government (e.g. the cabals
>>> who brought us Paperclip, Iran-Contra and Latin American death squads).
>>> 
>>> 
>>> 
>>>> Am 16.06.2015 um 00:56 schrieb Jerome Park:
>>>> 
>>>> They are tools that can be discarded. But what are the forces that use
>>>> them? Brock has his funding cut, not by anything mysterious,  insidious,
>>>> or monstrous, but by  government agency. Windust is a tool of government
>>>> agency and its cumbersome and often ineffectual ventures with
>>>> multinational business and agency.
>>>> 
>>>> In contrast, in GR, the monstrous and insidious forces are invisible and
>>>> mysterious, beyond the comprehension of, let alone, the reach of any
>>>> coordinated counter cultural resistance.  The force is, for lack of a
>>>> better term, as Dwight Eddins so artfully and elequantly describes it, a
>>>> Gnostic Force. This force is born from Pynchon's readings of Adams and
>>>> is the driving force or theme that makes V. a masterpiece first novel.
>> 
>> 
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