M&D - Chapter 16 - Great Waves of Melancholy on the Atlantic

[David Morris]

But why would Mason desire to escape his life's love, whom he dreams of
following into the underworld? Maybe she has become too real? Has her ghost
become less romantic?

David Morris

On Tuesday, March 24, 2015, Johnny Marr <marrja at gmail.com> wrote:

> Reading chapter 17 makes the theme about the Wind in chapter 16 a little
> clearer - Mason feels his wife's ghost is following him on the back of the
> local winds, so he needs to escape to a different microclimate in St Helena
>
> On Tue, Mar 24, 2015 at 3:44 AM, Johnny Marr <marrja at gmail.com
> <javascript:_e(%7B%7D,'cvml','marrja at gmail.com');>> wrote:
>
>> "'Well'! What are you saying, Mason? To be *not  *well over here, is to
>> be dead. How *you* have avoided that Fate, indeed, puzzles me".
>>
>> Poor Mason, suffering misery in earthly paradise. TRP captures him in
>> depression, as a man out of step with his cohorts, resigned to being
>> misunderstood by the well meaning but unreflective Maskelyne and the still
>> unencountered Dieter (another visitor from the Spirit World?)
>>
>> Who asks for Break-neck in the taxi?
>>
>> What did 18th century Hungarian and Moorish music sound like?
>>
>>  And what's the importance of the Wind "blowing cross-wise to the light
>> incoming from Sirius, producing false images"?
>>
>> In truth, I'm a bit tired and need to go to bed. Haven't done the last
>> couple of pages justice; will revisit tomorrow ...
>>
>
>
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