more on His Kipling Period and the Orgy

[ish mailian]

Thus the film brings into GR two competing discourses on empire t ied
up in filmic representations of mayhem, with film itself as a
competing -immediate, emotional, personality-driven (it is Cary Grant
Prentice misses, not Sergeant MacChesney) - mode of discourse with the
novel.

1999 "His Kipling Period": Bakhtinian Reflections on Annotation,
Heteroglossia and Terrorism in the Pynchon Trade Carol Loranger

http://corescholar.libraries.wright.edu/cgi/viewcontent.cgi?article=1000&context=english
-
Pynchon-l / http://www.waste.org/mail/?list=pynchon-l