''There now is your insular city of the Manhattoes..."

[Mark Kohut]

The Melville framing is wonderful. Reminds of that voice. He's another desert island must. 

Sent from my iPad

> On Jan 23, 2016, at 5:01 AM, ish mailian <ishmailian at gmail.com> wrote:
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> ''There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs -- commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme down-town is the battery, where that noble mole is washed by waves, and cooled by breezes, which in a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
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> ''Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?''
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> American Literary Regionalism in a Global Age
> by Philip Joseph
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> In this distinctive book, Philip Joseph considers how regional literature can remain relevant in a modern global community. Why, he asks, should we continue to read regionalist fiction in an age of expanding international communications and increasing nonlocal forms of affiliation? With this question as a guide, Joseph places the regionalist tradition of the late nineteenth and early twentieth centuries at the center of a contemporary conversation about community.
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> Part of the challenge, Joseph shows, is to distinguish between versions of regionalism that speak nostalgically to modern readers and those that might enter actively into a more progressive collective dialogue. Examining the works of well-known writers including Hamlin Garland, Abraham Cahan, Willa Cather, Zora Neale Hurston, and William Faulkner, Joseph argues that these regionalist authors share a vision of local communities in open discourse with the external world—capable of shaping public thought and policy and also of benefiting from the knowledge and experiences of outsiders. Their fiction depicts a range of localities, from Jewish American neighborhoods and midwest farming communities to southern African American towns and southwestern mixed-race parishes. Their characters are often associated with the literary-artistic process, a method stressing open-ended critique that—unlike journalistic, philosophical, or legal processes—ensures open dialogue.
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> “Consider the subtleness of the sea; how its most dreaded creatures glide under water, unapparent for the most part, and treacherously hidden beneath the loveliest tints of azure. Consider also the devilish brilliance and beauty of many of its most remorseless tribes, as the dainty embellished shape of many species of sharks. Consider, once more, the universal cannibalism of the sea; all whose creatures prey upon each other, carrying on eternal war since the world began. 
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> Consider all this; and then turn to the green, gentle, and most docile earth; consider them both, the sea and the land; and do you not find a strange analogy to something in yourself? For as this appalling ocean surrounds the verdant land, so in the soul of man there lies one insular Tahiti, full of peace and joy, but encompassed by all the horrors of the half-known life. God keep thee! Push not off from that isle, thou canst never return!”
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> ― Herman Melville, Moby Dick
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