Color monitors: the black face of tech

[Mark Kohut]

Perhaps the most important part of *Color Monitors*, however, is the
conclusion, in which Kevorkian presents readers with an analysis of the
works of writers, musicians, and artists who are more tuned in to the
racial coding embedded in their craftsmanship. Taking creative hints from
the likes of Thomas Pynchon and Ralph Ellison, Kevorkian showcases a small
sampling of creators who defy the trend he so carefully outlines in the
preceding chapters.

what do we think he might argue?

On Sat, Mar 12, 2016 at 2:39 PM, ish mailian <ishmailian at gmail.com> wrote:

> http://muse.jhu.edu/journals/tech/summary/v049/49.1erickson.html
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