NP but Defoe, Willem

[Mark Kohut]

Sounds to me like a film so incoherent, so bad, that even the renowned artist KNEW IT, so a divide and conquer viewing strategy was set up, so all that these discrete viewers would end up saying is " so mysterious" " I can't describe it" that the mystique of it as SO ORIGINAL would grow and grow into the aforementioned void.

---Mark, not in WV today and who can't follow any of the Plist movie/Tv series posts but who saw what he figured was a masterpiece in a crowded auditorium called IDA and who asked two questions into the void during the discussion session afterwards. And felt so alone with this masterpiece he was glad everyone else loved it too anyway. 

Sent from my iPhone

> On Nov 23, 2016, at 10:34 AM, Allan Balliett <allan.balliett at gmail.com> wrote:
> 
> A note passed to me earlier today. Anyone know anything about it? 
> 
>> Sculpt is a film created by the renown French artist, Loris Greaud.
>> Starring Willem Defoe and Charlotte Rampling, the film exists in a
>> multiplicity of versions that run from 70-120 minutes, but its most unique
>> feature is that it was conceived to be viewed by an audience of ONE,
>> creating a singular one-to-one viewing experience. Shocking, disturbing
>> and
>> decidedly nonlinear, a screening leaves the viewer wondering exactly what
>> he or she has seen, and with no other audience member with which one can
>> make a comparison or share a critique, this void can only be filled with
>> one’s imagination.
>> 
>> Sculpt was premiered at the LACMA in Los Angeles on August 16, 2016 and
>> received several screenings a day, each time before an audience of one,
>> until the master file eventually vanished.
>> Various versions of the film are currently being distributed worldwide via
>> the Dark Web.
> 
> 
> I prefer that my Charlotte Rampling movies were filmed around 1970, I'm afraid
> 
> Allan in WV, where some of us still pine for Susan George 
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