Nabokov's Signs and Symbols

[Mark Kohut]

Also Poe.

Sent from my iPad

> On Apr 24, 2017, at 3:41 AM, Mark Kohut <mark.kohut at gmail.com> wrote:
> 
> 1948.  A Perfect Day For Bananafish published in New Yorker.      Given a+ by VN
>            The Lottery.   Published in NYorker
>                                   Recently read stuff about internal readings of
>      1947        Cheever's  the enormous radio
> 
> 
> This Nabokov reminded me most -not that there are not other associations--of his novel The Defense, the chess genius seeing patterns everywhere and dying into one. 
> 
> Sent from my iPad
> 
>> On Apr 23, 2017, at 9:00 PM, John Bailey <sundayjb at gmail.com> wrote:
>> 
>> Nabokov's first story published in the New Yorker in 1948 is a tiny
>> little piece that seems to me very relevant to readers of Pynchon.
>> http://www.newyorker.com/magazine/1948/05/15/symbols-and-signs
>> He told the fiction editor that “a second (main) story is woven into,
>> or placed behind, the superficial semitransparent one,” although from
>> my reading this could be a tease, since there's such a heavy
>> metafictional layer exploring our tendencies to "project a world"
>> (COL49) when we're reading. Plus it tied in neatly to the discussion
>> of weather in books had here recently, and Nabokov might be satirising
>> the idea that climate is a conspiracy based on our mood.
>> -
>> Pynchon-l / http://www.waste.org/mail/?list=pynchon-l
-
Pynchon-l / http://www.waste.org/mail/?list=pynchon-l