MJJG: List-O-Mania: intertextual refs from pg 75 to 102

[Raphael Saltwood]

page 76: JA Rogers on jazz - "It is just the epidemic contagiousness of jazz that makes it, like measles, sweep the block." (with end-of-chapter footnote ref to Alain Locke's contemporaneous anthology _The New Negro_ which seems to be kind of a touchstone - makes one think of the text for Jes' Grew, although obviously it isn't identical with it)(right?)
from an essay entitled "Jazz at Home" - here's a link to most of it

https://books.google.com/books?id=sol334hPuRoC&pg=PA389&lpg=PA389&dq=ja+rogers+it+is+just+the+epidemic+contagiousness+of+jazz&source=bl&ots=FDKJ-JYmCO&sig=ACfU3U0FK9IJ97OeIDOpBFlYdbmh_0Nc0g&hl=en&sa=X&ved=2ahUKEwiFweaz9uXtAhXBx1kKHYmsAnkQ6AEwBHoECAEQAg#v=onepage&q=ja%20rogers%20it%20is%20just%20the%20epidemic%20contagiousness%20of%20jazz&f=false
[https://books.google.com/books/content?id=sol334hPuRoC&printsec=frontcover&img=1&zoom=1&edge=curl&imgtk=AFLRE715iGiee73sJpmcFZynOCR4brBfQgAnch7HjI9Pn4Lh65TpvVp7BG8fJoAuxTJXMiI9ii1aNgcuOeXqeU8QIEGIjNeVGfb_GtsHdzkfAeW4VEGPCT8sphF38_EQN4XEwNY6HTTE]<https://books.google.com/books?id=sol334hPuRoC&pg=PA389&lpg=PA389&dq=ja+rogers+it+is+just+the+epidemic+contagiousness+of+jazz&source=bl&ots=FDKJ-JYmCO&sig=ACfU3U0FK9IJ97OeIDOpBFlYdbmh_0Nc0g&hl=en&sa=X&ved=2ahUKEwiFweaz9uXtAhXBx1kKHYmsAnkQ6AEwBHoECAEQAg#v=onepage&q=ja%20rogers%20it%20is%20just%20the%20epidemic%20contagiousness%20of%20jazz&f=false>
Jazz in Print (1859-1929)<https://books.google.com/books?id=sol334hPuRoC&pg=PA389&lpg=PA389&dq=ja+rogers+it+is+just+the+epidemic+contagiousness+of+jazz&source=bl&ots=FDKJ-JYmCO&sig=ACfU3U0FK9IJ97OeIDOpBFlYdbmh_0Nc0g&hl=en&sa=X&ved=2ahUKEwiFweaz9uXtAhXBx1kKHYmsAnkQ6AEwBHoECAEQAg#v=onepage&q=ja%20rogers%20it%20is%20just%20the%20epidemic%20contagiousness%20of%20jazz&f=false>
This anthology was compiled to aid the scholar working on the origins and evolution of jazz. Covering materials published through 1929, it also begins with article from 1859 which do not concern jazz directly, but will serve to present a solid foundation for understanding the American music scene from which jazz developed. Chronologically listed and well-indexed, the hundreds of articles comprise, in effect, a history of jazz as it evolved. Beginning with accounts of Negro music in the pre-jazz era, continuing in an exploration of spirituals, followed by a description of ragtime, we finally learn about the development of jazz from its practitioners and informed audiences of the time.
books.google.com

pg 77: Paracelsus on dancing as a disease:
https://www.theguardian.com/stage/2018/jul/05/bizarre-dance-epidemic-of-summer-1518-strasbourg

pg 80 - Pope Clement V's last words
https://en.wikipedia.org/wiki/Pope_Clement_V#Later_career_and_death

pg 83 HL Mencken on Harding's inaugural speech - "a series of wet sponges"
Egads, remind me never to get criticized by him:
https://www.laphamsquarterly.org/comedy/hl-mencken-balder-and-dash
H.L. Mencken on Balder and Dash | Lapham’s Quarterly<https://www.laphamsquarterly.org/comedy/hl-mencken-balder-and-dash>
On the question of the logical content of Dr. Harding’s harangue of last Friday, I do not presume to have views. The matter has been debated at great length by the editorial writers of the republic, a
www.laphamsquarterly.org

pg 85 Fats Waller (actually a song) "one never knows, do one?"

obtuse detournement of the lyric (afaict) to apply after a list of Wallflower Order underlings, the restiveness of whom is somehow curbed by the Wallflower Order's WWI surplus submarine (its presence intimidates? it's used for extrajudicial extractions?)

"one never knows, does one?
When love will come along
Then so suddenly life turns out to be a song
One never knows, does one?
The moment or the place
Then right before your eyes
Someone occupies your embrace
Someday look and you'll find
Two hearts were blessed
Someday fate may be kind
Pray for the future, hope for the best
One never knows, does one?
That's just the way it goes
All at once you hear "Hold me, caress me" and then
Love may come but when, one never knows."

pg 95: Wallace Thurman, "Harlem" (a play)

https://en.wikipedia.org/wiki/Wallace_Thurman interesting fellow

https://artsedge.kennedy-center.org/interactives/harlem/faces/wallace_thurman.html

http://www.famousdaily.com/history/wallace-thurmans-harlem-opens-apollo-theatre.html


pg 102 The Concourse of the Birds (Mu'tafikah seeking it causes startlement to Thor Wintergreen)

https://www.metmuseum.org/art/collection/search/451725
[https://collectionapi.metmuseum.org/api/collection/v1/iiif/451725/903806/main-image]<https://www.metmuseum.org/art/collection/search/451725>
Painting by Habiballah of Sava | "The Concourse of the Birds", Folio 11r from a Mantiq al-tair (Language of the Birds) | The Metropolitan Museum of Art<https://www.metmuseum.org/art/collection/search/451725>
The Concourse of the Birds The manuscript from which this painting comes was produced in 1483 at the Timurid court of Sultan Husayn Baycara at Herat. It contains four illustrations that may or may not be by the hand of Bihzad, the most famous artist of that era, but represent his innovative, perfectionist style
www.metmuseum.org

Wallace Thurman’s play “Harlem” opens at the Apollo Theatre<http://www.famousdaily.com/history/wallace-thurmans-harlem-opens-apollo-theatre.html>
The African-American author and playwright, Wallace Thurman, is best known for his Harlem Renaissance novels: The Blacker the Berry and Infants of the Spring.He was a remarkable intellectual and was the spokesperson for the young artists of the Renaissance era such as Langston Hughes.
www.famousdaily.com

[https://upload.wikimedia.org/wikipedia/commons/7/76/WallaceThurman.jpeg]<https://en.wikipedia.org/wiki/Wallace_Thurman>
Wallace Thurman - Wikipedia<https://en.wikipedia.org/wiki/Wallace_Thurman>
Wallace Henry Thurman (August 16, 1902 – December 22, 1934) was an American novelist active during the Harlem Renaissance.He also wrote essays, worked as an editor, and was a publisher of short-lived newspapers and literary journals. He is best known for his novel The Blacker the Berry: A Novel of Negro Life (1929), which explores discrimination within the black community based on skin color ...
en.wikipedia.org




[https://upload.wikimedia.org/wikipedia/commons/e/eb/Sou_d%27or_de_Cl%C3%A9ment_V_frapp%C3%A9_%C3%A0_Sorgues_1310.jpg]<https://en.wikipedia.org/wiki/Pope_Clement_V#Later_career_and_death>
Pope Clement V - Wikipedia<https://en.wikipedia.org/wiki/Pope_Clement_V#Later_career_and_death>
Pope Clement V (Latin: Clemens V; c. 1264 – 20 April 1314), born Raymond Bertrand de Got (also occasionally spelled de Guoth and de Goth), was head of the Catholic Church and ruler of the Papal States from 5 June 1305 to his death. He is remembered for suppressing the order of the Knights Templar and allowing the execution of many of its members, and as the pope who moved the Papacy from ...
en.wikipedia.org

[https://i.guim.co.uk/img/media/526a61ff0be965ae363beb669b814f7d3a851898/0_111_5043_3027/master/5043.jpg?width=1200&height=630&quality=85&auto=format&fit=crop&overlay-align=bottom%2Cleft&overlay-width=100p&overlay-base64=L2ltZy9zdGF0aWMvb3ZlcmxheXMvdGctZGVmYXVsdC5wbmc&enable=upscale&s=e345851ae95ac58ce1b36541fe6c56c2]<https://www.theguardian.com/stage/2018/jul/05/bizarre-dance-epidemic-of-summer-1518-strasbourg>
Keep on moving: the bizarre dance epidemic of summer 1518 | Dance | The Guardian<https://www.theguardian.com/stage/2018/jul/05/bizarre-dance-epidemic-of-summer-1518-strasbourg>
The dancing plague of Strasbourg … as described by Paracelsus in the 1530s. Photograph: Alamy Stock Photo. According to an account written in the 1530s by the irascible but brilliant physician ...
www.theguardian.com