*Hütter and Schneider would later talk as if the classic Kraftwerk sound had arrived in one glorious emanation, like some deft sonic refit of Thomas Pynchon’s Gravity’s Rainbow: a perfectly realised vision of eros and thanatos, tech and pastorale, drift and grid.* https://www.lrb.co.uk/the-paper/v42/n17 Love to read Ian on COL49. love, cfa