SLPAD - 29 & of course he goes on to add

[Mark Kohut]

The Pynchon Notes guy, one Terry Reilly, sees a burned-out Pynchon by
1984....

how wrong can one be?  How we can project what we can't even see.

Even the estimable Richard Poirer calls him 'tired' while seeing the intro
nicely positive
but unable to see it for what it is, what P says it is: the writer he was.

I too remember being so excited by that book and intro and knew, more work
had been worked on
steadily because that is what he did.

On Thu, Mar 23, 2023 at 5:08 AM Michael Bailey <michael.lee.bailey at gmail.com>
wrote:

> how John Le Carré “upped the ante for the whole genre” - credit where
> credit’s due. Very true, but the appeal of all those historical scenes in
> UtR & V. is only partially from the spying and the Baedeker background. The
> contrast with Slothrop breaks away from spy craft, to mention the most
> obvious. But lots of other unique touches.
>
>
>
> “Most of it, happily, is chase scenes, for which I remain a dedicated
> sucker—it is one piece of puerility I am unable to let go of.”
>
> V. - check - chasing V. by Stencil, great Profane’s chase scene action
> onboard the USS Scaffold
>
> CoL49 - Oedipa’s of course chase after meaning thru the whole book, the
> Volkswagens when they steal the boat, sort of
>
> GR - Major Marvy after Slothrop underground
>
> M&D - ah, there’s gotta be one
>
> IV - the Vegas getaway by Doc Sportello
>
> BE - March & her ex with Maxine in the cigarette boat
>
>
> Porpentine - Hamlet I, v
> His father’s ghost refusing to describe the torments of Hell:
> “I could a tale unfold whose lightest word
> Would harrow up thy soul, freeze thy young blood,
> Make thy two eyes, like stars, start from their spheres,
> Thy knotted and combined locks to part,
> And each particular hair to stand on end,
> Like quills upon the fretful porpentine….”
>
> But also, it’s the name of an inn in The Comedy of Errors.
>
> & in Henry VI part 2, “[John Cade, under the name of John Mortimer] fought
> so long that his thighs with darts were almost like a sharp-quilled
> porpentine”
>
> & in Troilus & Cressida, Ajax warns Thersites, “Do not, porpentine, do not;
> my fingers itch”
>
> (To which Thersites replies, “I would thou didst itch from head to foot,
> and I had the scratching of thee; I would make thee the loathsomest scab in
> Greece.”
> Geez guys, get a room!)
>
>
>
> Moldweorp from Old Teutonic (so he’s the one who’s lurking and skulking for
> Germany?) for “mole” unintentionally anticipating the Le Carré usage.
>
> “ Less conscientiously, there is also an echo of the name of the reluctant
> spy character
>                Wormold, in Graham Greene’s Our Man in Havana, then recently
> published”
>
>
>
> Interesting article on the Intro in Pynchon Notes from Terry Reilly, who
> seems less than thrilled with it, but brings in some worthwhile
> perspectives nevertheless.
>
> https://pynchonnotes.openlibhums.org/article/2563/galley/2956/download/
> --
> Pynchon-L: https://waste.org/mailman/listinfo/pynchon-l
>