STetc ch38 references
Michael Bailey
mi256118 at ucf.edu
Wed Apr 15 08:03:22 UTC 2026
Cool like the giadrul - cucumber
Featured in lyrics for "Mambo Italiano" covered by Rosemary Clooney, Dean Martin, and (didn't know she sang) Sophia Loren
"...time to be up off the linoleum and don't look too forlorn"
(... gather your bloomin' arse up off the floor
and have a banana ...)
"... nobody's here to endanger a hair on your head, speaking of which yours could use some attention," producing a pocket comb and advancing on Hicks.
The sharply turned-out Chazz initiating a grooming ritual, contrasting with Hicks -
I think this whole tableau draws the distinction between Hicks's situation, still getting paid in some tenuous kind of private dick capacity?
(more about that in earlier chapters)
...and Chazz, who's advanced into a more military capacity, spruced and juiced and, like, pointing out a possible path to his "old chum", although Hicks doesn't recall the same degree of closeness.
Hicks's trajectory, I'm pretty sure, is in a different direction - remembering he started as hired muscle, ignorant army clashing by night, and - like unto good ole Basnight, explicitly cast in a mentorish attitude - starts to bring principle and critical thinking into play.
So what if he's a little scruffy, "thank you, no" - Hicks isn't ready quite yet to gentrify.
Isn't old Dippy more of a criminal to begin with?
Still, he cares about Hicks - not so much as to prevent him from some Schadenfreude in relaying his warning -
like Doc Sportello, Hicks garners a small but useful amount of respect and affection from both cops and criminals
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