plots, victims and heroes
Greg Montalbano
OPSGMM at UCCVMA.UCOP.EDU
Wed Feb 21 10:28:27 CST 1996
On Tue, 20 Feb 96 23:30:37 CST you said:
>> characters in Barth's The End of the Road are well realized, I've always
>> had the feeling that Barth didn't really like anybody in the book. (Of
>> course it's been 25 years since I read it, so I might be talking through my
>> hat).
>>
>
>nope, your hat's firmly atop your head. i just read _the end of the
>road_ a couple of months ago. barth hates them all, but i don't think he
>hates little jake horner quite as much as he does joe and rennie morgan,
>or, especially, peggy rankin.
>
>--
>brad daly bwdaly at panther.bsc.edu
>Interviewer: "Why do you write?"
>Flannery O'Connor: "Because I'm good at it."
I wouldn't say he necessarily "hates" his characters. Remember that END OF
THE ROAD was written at a time when he was producing books in conceptual pairs:
END OF THE ROAD was the negative treatment of the same basic story that was
handled in a much lighter way in THE FLOATING OPERA.
--- not that this relates to anything about TRP; just thought I'd mention it.
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