Orson Welles as KK
DudiousMax at aol.com
DudiousMax at aol.com
Wed Jun 16 09:14:34 CDT 1999
Yo Dudes and Dudeens,
Over the years it has come down to me from various books and
articles and TV specials that Orson Welles was a very bright, talented guy
who established himself early as a "special" person. In the late 1930s and
early 1940s he was making real good films, directing the Black Shakespeare
Theater of Harlem, and serving as "The Shadow" on network radio. The radio
programs, in those days, were done live, with only a flimsy acetate disc to
keep any sort of record. It was before magnetic tape (a technology conquered
from the Nazis). Orson was so well thought of he was allowed to have an
ambulance , with siren, to get downtown from Harlem to the broadcast studio
for his radio show. His cover identity for The Shadow is Lamont Cranston,
and it had a special resonance at that time, for it used the half-name of
Thomas Lamont, who was a senior partner at J.P. Morgan, one of the shrewdest
men on the street of shrewd men. It was whispered that the shadow of
Lamont's hand could be seen behind many a deal on the Stock Exchange.
In additon to doing all these activities, Welles was something of
an insult artist (a flamer) who delighted in tweaking the noses of the rich
and powerful. In particular he seemed to have a grudge against William
Randolph Hearst, whose mistress was one Marion Davies (watch the film CITIZEN
KANE). It came to Welles' attention that Hearst affectionate nickname for
Miss Davies was what he called her pudenda, when he addressed it in private,
"Rosebud." So having the film Citizen Kane focus on the word, seemingly
innocuous to the public, was really an insider joke, and a very complex
insult. Welles' was of flaming old man Hearst.
Hearst, no man to be taken lightly, made it very difficult for
Welles to get financing for any of his projects for nearly the rest of his
life. His film-making career was seriously hampered after that. He was
always borrowing from Peter to pay Paul. Of course he missed out on a lot of
projects he would have liked to have done. All of which Pynchon would have
known, being Pynchon. There is a round-about reference to The Shadow in LOT
49. It wouldn't surprise me if Pynchon kinda-sorta identified with Welles,
well just a bit. TRP likes to flame a lot of rich and powerful people too.
It may have cost him a Putzlicker Prize. And that may have a kind of Kantian
moral for us here on the list: "Flame unto others as you would have them
flame unto you."
Max,
who believes the best offense is to be
inoffensive.
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