Germans still don't get it
Richard Romeo
richardromeo at hotmail.com
Fri Nov 5 10:11:00 CST 1999
November 5, 1999
New York Opening of Exhibition on Nazi
Atrocities Is Delayed
By ROGER COHEN
ERLIN -- The planned opening in New York next month of an
exhibition linking ordinary German soldiers to Nazi war
crimes has
been postponed as a result of a dispute over whether some of the
photographs may be misleading.
The exhibition, called "The German Army and Genocide," has been
fiercely contentious since it opened in Germany four years ago
because it
challenges the view widely held here that Nazi atrocities were not
the
work of army but of Hitler's elite SS and fanatical death squads.
Having traveled to 34 cities in Germany, the exhibition was to
have
opened in New York at the Cooper Union on Dec. 2. It has provoked
rancorous dissent from right-wing groups that say the army was
relatively
untainted by the atrocities. The controversy culminated in a
bombing
attack in the western city of Saarbrücken in March.
Jan Philipp Reemtsma, a wealthy industrialist and art patron who
sponsored the exhibition, said today that the New York opening
would
be delayed for a three-month review of the exhibits by historians.
"The
exhibition has suffered an extraordinary loss of credibility," he
said.
In recent months, a Polish historian, Bogdan Musial, has argued
that at
least 9 of the 801 photographs do not belong in the show.
For instance, he has contended that a photograph called "Pogrom at
Ternopol," purporting to show German soldiers at a mass grave in
Ukraine, in fact captures a massacre by the Soviet secret police.
Another disputed photograph shows a German firing squad shooting
youths in Yugoslavia in 1941. Musial and other historians have
suggested
that soldiers involved were not German but Hungarian.
Such dissent has fueled an outcry over the exhibition, organized
by the
Hamburg Institute for Social Research and visited by nearly a
million
Germans. The show was shocking to many Germans who believed that
the army remained detached from the worst of Nazi crimes.
Because 20 million men served in the army during World War II, the
challenge posed by the exhibition was particularly intimate and
widespread, touching many German families that previously thought
of
themselves as relatively unsullied by Hitler's genocide.
The exhibition prompted a debate in Parliament, where some
deputies
broke down in tears as they told of their families' suffering
during the war.
Erika Steinbach, a member of the conservative Bavarian party, the
Christian Democratic Union, proposed a counter-exhibition to
restore the
reputation of the army, the Wehrmacht.
But the weight of the evidence -- most of it in the form of
gruesome
photographs taken by soldiers at the front and sent to their
families or
friends at home -- appeared overwhelming until the credibility of
the
exhibition was undermined by the doubts over a few photographs.
Most serious historians believe that, as Germany's top cultural
official,
Michael Naumann, has put it, "the Wehrmacht was responsible for
the
logistics of the Holocaust." Whatever the pockets of
professionalism, and
however limited the access of ordinary soldiers to Hitler's
murderous
designs, the Wehrmacht was in essence a tool of the Nazis.
In an interview in Stern magazine published before Thursday's
announcement of the postponement, Reemstsma, the sponsor, said:
"Our
exhibition is not the only one to contain mistakes, but it is the
only one
where errors make such large waves. And that is because the
exhibition
is so provocative to so many people."
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