GRGR(10) - Plasticman

[jonathan schultz]

Agreed, therein lies the beauty and sublime nature of literature.  However,
grounding gives rise to discussion...discussion to broader
perspective...broader perspective to intimate knowledge.  All things must
be contextualized lest they fly loosey-goosey into the void of ultimate
abstraction.

Jonathan Schultz

----------
> From: David Morris <fqmorris at hotmail.com>
> To: jonathanschultz at worldnet.att.net; rjackson at mail.usyd.edu.au;
pynchon-l at waste.org
> Subject: Re: GRGR(10) - Plasticman
> Date: Sunday, September 26, 1999 7:09 PM
> 
> 
> So much effort is exerted by so many readers to anchor the text in 
> "reality," which then lead to all these explorations of philosophy, which

> quickly become entangled by cross meanings of words.  No Star-Trek 
> "universal translator" on the web, yet.  And w/o tones of voice and
facial 
> expressions, so much intention is lost...  which is good,  which is why 
> writing might be preferred to meeting in person.  This is the medium, no 
> less reductive than film.
> 
> Allow the unreality to permeate.  Lose the need to ground.
> 
> >From: "jonathan schultz" > From: rj <rjackson at mail.usyd.edu.au>
> > >This image of transcendence or omniscience succinctly encapsulates
> > > Pynchon's literary aspiration, to get "outside the frame".
Ultimately,
> > > this is what he manages to achieve with Slothrop. But Slothrop has no
> > > access to the cartoon hero Sundial at this point, as he did with
> > > Plasticman earlier, for the narrative has parenthesised the reference
to
> > > another time and place (and story!) and it serves as an aside to the
> > > reader no less. Sundial is able to move beyond his fictive domain
(and,
> > > beyond moral stereotypes); this is the very lesson Slothrop and
> > > Plasticman must come to learn too. Pynchon, like Sundial, is not
> > > enclosed by the conventional frames of his medium. He is able to
reach
> > > across the "interface", into a world outside the fiction.
> >
> >In order for Pynchon to exceed, transcend or otherwise bamboozle his
> >"interface" is to perform a miracle.  No matter how well a passage is
> >written the book can be closed.  However, like Slothrop, the events that
> >surround the book allow the author to play with the rules of the medium
in
> >a way that allows momentary questions of context.
> >If Sundial performs business in fictional space unobserved by the
reader,
> >the very notion of a fictional space is planted by the writer and so
leads
> >the reader to creating a fictional space that is purposely left
undefined
> >albeit contextualized well within the rules of fiction.  This is the
main
> >question that philosophy asks fiction, is the written word an extension
of
> >the spoken word?  Or is the written word a supplement to the spoken
word?
> >Are the two joined at all except by means of artificial categories?
> >GR to a reader, like Plas to Slothrop, like Sundial to the artificial
> >intimate fostered by Pynchon's sidenote, is what it is because of it's
> >transplantation beyond the zero of recognition.  But, TP understands
quite
> >well the meta-rules of the game he is playing.  Literature cannot, of
it's
> >own creation, transcend itself, but it can instill in it's readers the
> >inspiration to assume that it has.  Like the bible.  You know...
> >
> >Jonathan Schultz
> >
> >Nihil verum.  Omnium licet.
> >
> 
> Are these not the rules in the Heaven of the Hashishin?
> 
> David Morris
> 
> 
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