Those little black squares
Terrance
Lycidas at worldnet.att.net
Fri Jun 16 07:44:41 CDT 2000
GR has seven of those little squares at the beginning of
each episode and Mao II has three little black squares on
the top of page 87, 165, 184, 238. Did I get them all?
What's going on?
"Bill has the idea that writers are being consumed by the
emergence of news as an apocalyptic force."
Don't be so paranoid, Bill.
While it would be a distortion to say that the rise of the
movies as a parallel and competing art form has been
the
cause, the signature effects of postmodern fiction
--
recursive language games; self-conscious, unreliable
and
multiple narrative voices; Möbius-strip skeins of
allusion and
parody, sincerity and irony -- seem almost flagrant
in their
defiance of cinematic appropriation.
The giants of postmodernism -- William Gaddis,
Thomas
Pynchon, Don DeLillo -- have erected pyramids of
prose so
intricate in their conceits and so saturated with
references as
to defy replication altogether. Their most
recognizable
progeny carry on this resistance. Can you picture
the 1,100
pages of David Foster Wallace's "Infinite Jest,"
with its 400
footnotes and uncountable subplots, on the screen?
http://www.nytimes.com/library/film/061600film-from-books.html
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