funkentelechy

[Dave Monroe]

Far be it from me to suggest any sort of band pass
filtration when it comes to the extraordinary
saturation, condensation (in perhaps that Freudian
dreamwork sense and then some) of possibilities in any
of Pynchon's little signals here.  Miles Davis falls
out in the Fourier analysis as well here, esp. vis a
vis Juliette Greco ...

http://waste.org/mail/?list=pynchon-l&month=0101&msg=775&sort=date

http://waste.org/mail/?list=pynchon-l&month=0104&msg=312&keywords=greco%20juliette%20davis%20miles

But the ol' Magic Eye is certainly, er, hearing the
more fundamental tones here, methinks ...

--- jbor <jbor at bigpond.com> wrote:
> on 7/12/01 4:58 AM, woody tobias jr. at
> pantychrist at hotmail.com wrote:
> 
> > I guess Sphere is an amalgam of both Monk and
> Coleman. The reason I went
> > with Coleman is because of the reference to the
> bandmember from the Ozarks.
> > Coleman, of course, had a white bass player from
> Arkansas (I can't remember
> > his name) who was weaned on bluegrass and
> hillbilly music and may have, if
> > I'm not mistaken, played at the Grand Ole Opry.
> 
> Yes, the idea that McClintic is a fictionalised
> amalgam or composite character, Pynchon
appropriating 
> aspects of both Monk's and Coleman's playing and
> perhaps that of other black jazz performers of the
> late 50s and early 60s, is something which was
> discussed here when we first came across him at the
> V-Note in the current _V._ read. Thanks for the info
> on Coleman.

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