pynchon reference in delillo
Richard Romeo
r.romeo at atlanticphilanthropies.org
Tue Jul 6 15:18:54 CDT 2004
Always wondered about the writing of Mao 2 and the Bill Gray
character--he's so similar in many ways to Pynchon who gave the book
high praise
Not sure the writer/terrorist connection really makes all that much
sense--seems like a random link that DeLillo created to fit within the
theme of his book--maybe artist would've been a better factor to use
than writer--there's a certain jeanette winterson-like smugness in
upholding some primacy for a writer in society
I mean who would make such a connection--I'm glad most of pynchon's
characters are not writers.
p.s. have to admit looking forward to seeing metallica documentary, Some
Kind of Monster
rich
-----Original Message-----
From: owner-pynchon-l at waste.org [mailto:owner-pynchon-l at waste.org] On
Behalf Of umberto rossi
Sent: Tuesday, July 06, 2004 2:05 PM
To: pynchon-l at waste.org
Subject: pynchon reference in delillo
I found a remarkable passage in White Noise that reads like a
rewriting of "The Secret Integration". In my edition (Penguin) it can
be found at pp. 258-9, anyway it's in Ch. 34, and it's when Gladney
examines the trash bag, emptying it in the garage and picking though
the waste item by item. The thoughts of Jack read like a comment on
Pynchon's story...
"I picked though them item by item, mass by shapeless mass, wondering
why I felt guilty, a violator of privacy, uncovering intimate and
perhaps shameful secrets. (...) But why did I feel like a household
spy? Is garbage so private? Does it glow at the core with personal
heat, with signs of one's deepest nature, clues to secret yearnings,
humiliating flaws?"
WHich is the basic idea of Pynchon's SI.
umberto rossi
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