AtdTDA: [38] p. 1071 A Certain Word
Mark Kohut
markekohut at yahoo.com
Sat Aug 9 11:33:30 CDT 2008
Robin,
Another terrific post......I want to be "just askin":
Yes, the case that that certain word not yet spoken is "Fascism" is strong, as some wiki poster has posited.
But is it what TRP meant?.....any other possible words?
Mark
--- On Sat, 8/9/08, robinlandseadel at comcast.net <robinlandseadel at comcast.net> wrote:
> From: robinlandseadel at comcast.net <robinlandseadel at comcast.net>
> Subject: AtdTDA: [38] p. 1071 A Certain Word
> To: "P-list" <pynchon-l at waste.org>
> Date: Saturday, August 9, 2008, 11:11 AM
> "Hold on Cowboy!" leaning gleefully on the stick
> as they
> went into a steep, stomach-lifting dive.
>
> Monte Davis: Kinda describes the advent of the
> dear old
> 20th century, doesn't it?
>
> Mos Def, MD as we collectively rush headlong into the next
> thought, Futurism:
>
> They were soon going so fast that something
> happened to time,
> and maybe they'd slipped for a short interval
> into the Future, the
> Future known to Italian Futurists, with events
> superimposed on
> one another, and geometry straining irrationally
> away in all
> directions including a couple of extra dimensions
> as they
> continued hellward, a Hell that could never
> contain Kit's
> abducted young wife. . . .
>
> From the Wikipedia article on Futurism:
>
> Futurism was an art movement that originated in
> Italy in the
> early 20th century. It was largely an Italian
> phenomenon, though
> there were parallel movements in Russia, England
> and elsewhere.
> The Italian writer Filippo Tommaso Marinetti was
> its founder and
> most influential personality. He launched the
> movement in his
> Futurist Manifesto, which he published in the
> French daily
> newspaper Le Figaro on 20 February 1909. In it
> Marinetti
> expressed a passionate loathing of everything
> old, especially
> political and artistic tradition. "We want
> no part of it, the past,"
> he wrote, "we the young and strong
> Futurists!" The Futurists
> admired speed, technology, youth and violence,
> the car, the
> plane and the industrial city, all that
> represented the technological
> triumph of humanity over nature, and they were
> passionate
> nationalists.
> The Futurists practiced in every medium of art,
> including painting,
> sculpture, ceramics, graphic design, industrial
> design, interior design,
> theatre, fashion, textiles, literature, music,
> architecture and even
> gastronomy.
>
> http://en.wikipedia.org/wiki/Futurism_(art)
>
> And after a "shuddering prop-to-tail assault on
> airframe integrity",
> Kit is turned on by "the incorporation of death into
> what otherwise
> would only be a carnival ride."
>
> This leads to another silly song. I'd look it up in the
> "Italian Wedding
> Fake Book by Deleuze & Guattari."
>
> The Pynchon wiki is worth quoting here:
>
> If this book isn't real, it oughtta be. Fake
> books are collections
> of songs that provide basic chord changes for
> working
> musicians who need to play said tunes in a hurry
> — like on a
> gig. The auteurial attribution is a very sly
> academic joke.
> Gilles Deleuze (1925-1995) and Felix Guattari
> (1930-1992)
> were post-modernist philosophers best known for
> two esoteric
> volumes on capitalism and schizophrenia,
> originally written
> in French. Volume one was Anti-Oedipus; volume
> two was
> A Thousand Plateaus.
>
> http://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_1063-1085#Page_1
> 070
>
> From "Postmodern Theory, Critical Interrogations"
> by Steven Best and Douglas
> Kelner:
>
> Chapter 3: Deleuze and Guattari: Schizos, Nomads,
> Rhizomes
> [excerpt]
>
> Their most influential book to date, Anti-Oedipus
> (1983; orig. 1972)
> is a provocative critique of modernity's
> discourses and institutions
> which repress desire and proliferate fascists
> subjectivities that
> haunt even revolutionary movements. Deleuze and
> Guattari have
> been political militants and perhaps the most
> enthusiastic of
> proponents of a micropolitics of desire that to
> precipitate radical
> change through a liberation of desire. Hence they
> anticipate the
> possibility of a new postmodern mode of existence
> where
> individuals overcome repressive modern forms of
> identity and
> stasis to become desiring nomads in a constant
> process of
> becoming and transformation.
>
> http://www.gseis.ucla.edu/faculty/kellner/pomo/ch3.html
>
> Remember that the Grand Cohen found Clive useful as the
> only friend
> of the devil? There's another Orphic echo what with the
> abduction thing
> and all, and Kit is being seduced by the blandishments of
> Fascism,
> envy, jealousy and desire turned, tempered and corrupted
> into the
> working tools of the plutonian spheres of influence.
>
> From the quarterly journal "International
> Socialism",
> "Gramsci: the Turin years" by Megan Trudell :
>
> In August 1917 a general strike began in Turin
> after police killed
> two people during a protest over bread shortages.
> It quickly
> became a powerful expression of a potentially
> revolutionary
> anti-war movement. According to Marc Ferro,
> ‘The strikes…were
> reminiscent in many ways of those in Petrograd in
> February.
> Women and youth had a vital part in them, trying
> to fraternise
> with the carabinieri [armed police] and shouting,
> “Don’t fire at
> your brothers”.’ The Turin rising was
> brutally repressed. Troops
> armed with machine guns killed over 50 people and
> wounded 800.
> Over 1,000 demonstrators, mainly Fiat workers,
> were sent
> to the front, and the war zone in north east
> Italy was extended
> to include the provinces of Genoa and Turin, and
> as far south
> as Sicily.
>
> More at:
>
> http://www.isj.org.uk/index.php4?id=306&issue=114
>
> Kit's value system has been turned inside out by now,
> like taking off
> a glove or a complex problem in topology. He's got
> Webb's urge to
> blow stuff up, but he also has developed some sense of
> karma in his
> travels. But Renzo has already stopped wearing civilian
> clothes, lotsa
> eagles, very, very Vineland.
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