Parrots & Magical Realism
Robin Landseadel
robinlandseadel at comcast.net
Wed Feb 25 17:46:02 CST 2009
On Feb 25, 2009, at 3:08 PM, Great Quail wrote:
> I do not understand why you posit "magic" as
> something removed from "threatening."
Good point.
>> I'd say that your 75% rule applies more to later
>> Pynchon than earlier---can't call the stuff that whizzes around in
>> San
>> Narcisco magic, more like its threatening opposite.
> I confess, I am not sure what you mean here.
I may be confused and you may be right. This may come from a personal
sense that "magic" carries positive connotations and that the energies
swirling around Oedipa are so negative.
> Secondly, to address your "earlier" comment, "Gravity's Rainbow" and
> "V."
> are very, very strange books and bear a lot in common with "M&D" and
> "AtD,"
> as far as I can see.
Extending on the previous thought, there is a similar sense of dread,
of "anti-magic" in "Gravity's Rainbow" and "V." The tone lightens in
"M&D" & "AtD."
> Even in "traditional" works of magical realism, the
> so-called "magic" can be very threatening indeed.
> For instance, see "Autumn of the Patriarch."
Will do. Sounds like you know more about magical realism than I do.
Still, in my general cartography of TRP's landscapes, parrots seem to
pop up at particular places in his novels.
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