Inherent Vice: Entertainment Weekly Review
Robin Landseadel
robinlandseadel at comcast.net
Wed Jul 29 12:42:57 CDT 2009
Later, Gilles Deleuse in an exclusive interview on "E Entertainment."
Plenty Spolier-ish, see below
BOOK REVIEW
Inherent Vice (2009)
Thomas Pynchon
By Sean Howe
The name ''Thomas Pynchon'' usually evokes thoughts of a
reclusive genius who every few years blesses M.F.A. hipsters
and Mensa applicants with intricately layered postmodern
behemoths. So it might be a shock to learn that his latest book,
Inherent Vice, is, at a mere 369 pages, a relatively breezy work
of genre fiction. Upon further consideration, though, it's a
wonder this didn't happen sooner: What better vehicle for
Pynchon's favorite subjects (conspiracy, radical politics, trash
culture) than a detective novel set in post-Manson Los
Angeles? In the dependable tradition of Raymond Chandler,
things get under way when a missing-persons case turns into a
web of intrigue. Our burnout hero, private dick Doc Sportello,
agrees to find the new lover of his ex-girlfriend Shasta and soon
gets mixed up with Thai hookers, a motorcycle gang, a surf-rock
saxophonist, and a narcotics dealer named El Drano. (For
Pynchon trainspotters, there's also an appearance by one of the
Corvairs, the rock band from 1990'sVineland.) Thwarted at
every turn and garnering respect from no one, Sportello
somewhat resembles Elliott Gould's wiseacre Philip Marlowe
from the 1973 Robert Altman film The Long Goodbye, which
also populated its L.A. with hash-brownie casualties and New
Age quacks. But he's even closer to The Big Lebowski's Dude,
a charmingly drippy screwup fighting through a stoned haze to
fathom the labyrinths of criminal machinations. ''Gahhh!'' cries a
joint-smoking Sportello while trying to connect the dots between
a heroin-smuggling ring, the CIA, and a schooner called the
Golden Fang. ''I am, like, overthinking myself into brainfreeze,
here.'' Readers are advised to avoid such mind-fryings — as
with Chandler's infamously impossible-to-follow plots, sleuthing
the case is hardly the point of Inherent Vice. Savor it instead for
Pynchonian linguistic flights and slapstick set pieces. But the
nicest surprise of all is the heart-on-sleeve wistfulness that
finally peeks through the comic riffing, in the descriptions of
Sportello's undying love for Shasta and an elegiac appreciation
of the era. Coming from the man who once railed ''there is
nothing so loathsome as a sentimental surrealist,'' this qualifies
as a revolutionary shift. The new Pynchon: a beach read and a
heartstring puller. It's almost surreal. A
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