Mendelson's View of P's 2ble Vision
Markekohut
markekohut at yahoo.com
Mon Oct 7 10:06:50 CDT 2013
And I'm going to get pretentious again and say, We know TRP has read McLuhan, perhaps the deepest seer on visual culture. TRP has had McLuhan-understanding eyes for ...most of his books.
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On Oct 7, 2013, at 11:02 AM, Robin Landseadel <robinlandseadel at comcast.net> wrote:
> Most important, all are Televisual. In one way or another situated in the land of the "Tube". The opening of "The Crying of Lot 49" manages to get the TV Picture Tube and God cheek by jowl in the second sentence:
>
> " Oedipa stood in the living room, stared at by the greenish dead eye of the TV tube, spoke the name of God, tried to feel as drunk as possible. But this did not work. "
>
> The Tube is the God of these four "lesser" novels. I think it says a lot about critics, forest for trees, usw . . . And considering the Pynchon family history, considering how Pynchon and Company went under because of their big investment in Fox pictures, considering how much sheer propaganda entered our culture thanks to these innovations in filmmaking, the deep propaganda of "Cop" shows and how often Cop Shows as propaganda are cited in these books, perhaps all should be re-located from California/New York to "Tubeland, USA."
>
> On Oct 7, 2013, at 7:49 AM, Bekah wrote:
>
>> Pynchon has used contemporary culture many times - CoL49 had Beatle stuff, Vineland had the Star-Trek stuff, IV had the drug culture, BE has the techie stuff. And every one of these books is considered "lesser" and every one is set in contemporary "hip" US. And none of us remembers the final days of WWII in Germany, the US colonial era, or the world-wide events leading up to WWI.
>>
>> Bekah
>
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