"rogerebert"

[David Morris]

Lynch films like Mullholland Drive really can't be compared to other films.
Identities and existences are in constant flux and in question.  And they
are FAR from comedy. (Lynch might be compared to Beckett without the
humor.)  In MD, the black-haired amnesiac, and the blond actress-wannabe
from the sticks, and the decomposing OD corpse might all be the same
person...  Who else does that?

Existential Noir?

David Morris

On Wed, Oct 8, 2014 at 3:20 PM, Thomas Eckhardt <thomas.eckhardt at uni-bonn.de
> wrote:

> Oh dear. I sincerely hope the film can live up to that review.
>
> Which reminds me of another L.A. noir, which Roger Ebert, RIP, deservedly
> praised to the heavens (presumably to make up for his devastating but
> honest review of "Blue Velvet" -- me, I didn't know what hit me either):
> "Mulholland Drive". If "Inherent Vice" is only half as good as that movie,
> it will be a sight to see.
>
> Thomas
>
>
> Am 06.10.2014 um 20:40 schrieb jochen stremmel:
>
>> http://www.rogerebert.com/festivals-and-awards/nyff-
>> 2014-paul-thomas-andersons-inherent-vice
>>
>
> -
> Pynchon-l / http://www.waste.org/mail/?list=pynchon-l
>
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