M&D Deep Duck: Why Start Here?

Mark Kohut mark.kohut at gmail.com
Tue Jan 20 11:43:21 CST 2015 

So, the book starts where it does because we get to see all of Mason &
Dixon's (working) time together.
Intensifies them as Ampersand in the book's overarching yoking.

Trying to see patterning, I see that the English and French have long
been at war(s). The world/History has always been
a State of Seige [AtD].

Mason & Dixon pass thru metaphorically that state, that Transit of War
crossing. On the way to the Transit of Love.
They have been safe and secure in England; on The Seahorse some
'innocence' is lost, they get shit-scared. They are smart, have gotten
themselves
a solid new careers education but......

They learn and will learn more about the real ways of the world. In
some ways M & D at the start is a Bildungsroman of two.

Motion is everywhere in first three sections (but for the letter) and
of course these three. Capitalism beyond local markets is money in
motion.
There are allusions to money in capitalism---even the cockfight might
fall under that cock-defeat-cock social Darwinism (that some have
called
unfettered capitalism.)         If Bleeding Edge is late capitalism,
the cockfight is the bleedy beginning?



On Tue, Jan 20, 2015 at 12:24 PM, Joseph Tracy <brook7 at sover.net> wrote:
>  I guess I wonder obvious to whom? Obviously not so obvious to everyone. The language of economics, of ownership, of boundaries is still intensely biased in the dominant culture toward principles of measurement in coins, lines, grids, areas and populations controlled and securely generating wealth for the chosen. We still measure GDP as the movement of imaginary numbers  and so include war disease and weather or environmental disaster in the plus column.That this language is accepted by a majority is reflected in the international political gridlock.
>
> I don't think this exercise which is perhaps, as you argue, more a mockery than a proof has proven to be a waste of time at all.  New readers are ever coming of age, searching the literature and for many people, these connections to the roots of corporatism, to  science -mapping-and-global-positioning  as the technos of dominance, these connections between personal power and global power, and particularly their specific role in America  are still able to surprise, shock, enlighten, and even inspire change. That P's intentions go beyond this and cover a broad range goes without saying to those who have spent time with his work.
>
> At any rate I think we are in more agreement than disagreement if we think of M&D as a satire of globalization which goes back to the roots of that phenomena as it appeared at the cusp of the industrial age.
> On Jan 20, 2015, at 11:11 AM, alice malice wrote:
>
>> Why Pynchon would waste his time to prove the obvious, I can't say,
>> but the book seems directed from the 1760 to the 1960s through then to
>> the end of the 20th century and so a satire of globalization. BTW,
>> Melville wrote a wonderful short on this, not Bartleby but "The
>> Paradise of Bachelors and the Tartarus of Maids"
>>
>> The Bachelors, the Slothful Authors of P's essay and the Maids, Mad
>> Scribblers are Virgins made Dynamo.
>>
>> On Tue, Jan 20, 2015 at 6:49 AM, Keith Davis <kbob42 at gmail.com> wrote:
>>> "Of course the whole idea of grids, triangles and numbered objects of trade
>>> is wildly dishonest in it's simplification and violence and part of Pychon's
>>> goal seems to be to prove that."
>>>
>>> Talk more about this?
>>>
>>>
>>> Www.innergroovemusic.com
>>> Sent from Beyond the Zero
>>>
>>> On Jan 20, 2015, at 5:39 AM, jochen stremmel <jstremmel at gmail.com> wrote:
>>>
>>> Laura, I do not think Dixon's comment (at the end of ch. 4) would mean they
>>> were bound for a transit of Mars but that the transit of Mars was now behind
>>> them, after the skirmish, and that's what Mason's reply seems to play with:
>>> With us going 'cross its face.
>>>
>>> And the story starts here because here is where the two men from the title
>>> met for the first time.
>>>
>>> Am I the only one that hears (sees, smells) an echo, just 3 lines before
>>> Dixon's comment, in "the insides of Trees, and of Men....", of another, less
>>> harmful battle at the beginning of the book, namely of the Snow-Balls that
>>> have "starr'd the Sides of Outbuildings, as of Cousins"?
>>>
>>> 2015-01-20 0:15 GMT+01:00 Joseph Tracy <brook7 at sover.net>:
>>>>
>>>> agree about the England>Africa>America> triangle which is the golden
>>>> triangle( rum sugar slaves) and relates to other aspects of the colonial and
>>>> early corporate ventures( tea, East India Co,  whale oil as energy source of
>>>> early industrialism) and also to the increasingly fast movement of peoples
>>>> to and from all over the world north south east west. Finally there is
>>>> something about the pursuit of precise linear distances as negotiated on
>>>> spherical bodies in space- real estate speculation writ large, a topic which
>>>> seems to carry through all of Pynchon.
>>>> On Jan 19, 2015, at 1:33 PM, Keith Davis wrote:
>>>>
>>>>> Lines everywhere! Equators, transits, rigging, personal and
>>>>> interpersonal barriers....
>>>>>
>>>>> David, these lines of yours are fascinating! Probably built by aliens!
>>>>>
>>>>>
>>>>> Www.innergroovemusic.com
>>>>> Sent from Beyond the Zero
>>>>>
>>>>>> On Jan 19, 2015, at 1:17 PM, David Ewers <dsewers at comcast.net> wrote:
>>>>>>
>>>>>> I agree with all you say.  Bringing the equator into the equation is
>>>>>> important, I think. ... "To change hemispheres is not abstract thing,--".  I
>>>>>> see it as the point where the image gets inverted: "So there must be a
>>>>>> Ritual of Crossing Over, to focus....".   I also think there's something to
>>>>>> the England>Africa>America>...England triangle, and
>>>>>> I get a Moby Dick vibe here too (obviously, I suppose...).
>>>>>>
>>>>>> To my connection-happy Mind, anyway, a somewhat related aside:
>>>>>> Every year around my birthday, I get to drag my wife and young daughter
>>>>>> out on a dorky day/road trip of my choice... I live in N.California so it's
>>>>>> usually Missions or weird old towns.  Today, we're going to look for some of
>>>>>> these:  http://www.atlasobscura.com/places/berkeley-mystery-walls
>>>>>> Anybody know anything about these?
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>> On Jan 19, 2015, at 9:46 AM, <kelber at mindspring.com> wrote:
>>>>>>>
>>>>>>> I love Dixon's later comment, after the attack, that perhaps they were
>>>>>>> bound for a transit of Mars.
>>>>>>>
>>>>>>> Why start here rather than in America?
>>>>>>>
>>>>>>> For one thing, there's all that geometry - ripe for metaphor -
>>>>>>> entailed in the transit of venus and the crossing of the equator.
>>>>>>>
>>>>>>> And how could Pynchon resist recounting the Seahorse incident, which
>>>>>>> transformed M and D from colleagues to war buddies?
>>>>>>>
>>>>>>> If he'd started in America, maybe Mason and Dixon would have faded
>>>>>>> somewhat into the background of a larger cast of characters?
>>>>>>>
>>>>>>> Other opinions?
>>>>>>>
>>>>>>> Laura
>>>>>>>
>>>>>>>
>>>>>>> -----Original Message-----
>>>>>>>> From: Mark Kohut <mark.kohut at gmail.com>
>>>>>>>
>>>>>>>>
>>>>>>>> transit of Venus must bring us thoughts of Venus, the goddess, yes?
>>>>>>>> Why did TRP start their trip with this? He could have just had them in
>>>>>>>> America.
>>>>>>>>
>>>>>>>> Sent from my iPad
>>>>>>>>
>>>>>>>>> On Jan 18, 2015, at 10:13 PM, Joseph Tracy <brook7 at sover.net> wrote:
>>>>>>>>>
>>>>>>>>> I love chapter summaries. Huzzah! The only question I would have
>>>>>>>>> would be whether the fight was that one-sided. The next chapter has them
>>>>>>>>> speculating that the French were hard after them possibly because of the
>>>>>>>>> transit mission.  The battle is told from their POV and says little about
>>>>>>>>> damage to the French vessel, but the L'Grand did give up after a serious
>>>>>>>>> attack. Maybe I am missing a textual clue here. Tere was also something
>>>>>>>>> about Smith hiring skilled rear gunners.
>>>>>>>>>
>>>>>>>>> Interesting tidbit about the Captain being required to pay for his
>>>>>>>>> own victuals.
>>>>>>>>>
>>>>>>>>>
>>>>>>>>>> On Jan 18, 2015, at 4:42 PM, <kelber at mindspring.com>
>>>>>>>>>> <kelber at mindspring.com> wrote:
>>>>>>>>>>
>>>>>>>>>> My summary. Please, everyone, point out and attack my misreads.
>>>>>>>>>>
>>>>>>>>>> Part 4:
>>>>>>>>>>
>>>>>>>>>> Cherrycoke reminisces to his assembled audience -- which includes
>>>>>>>>>> his niece Tenebrae, her brothers Pitt and Pliny, their father LeSpark, who
>>>>>>>>>> we now learn made his fortune in weapon sales, and LeSpark's nephew Ethelmer
>>>>>>>>>> -- on break from Princeton. Cherrycoke is reminiscing about traveling with
>>>>>>>>>> Mason and Dixon on the frigate Seahorse, en route to Sumatra, to observe the
>>>>>>>>>> Transit of Venus. But an event occurs -- well-known already to Cherrycoke's
>>>>>>>>>> assembled audience -- which he now relates to us.
>>>>>>>>>>
>>>>>>>>>> Mason and Dixon are annoyed to discover that they're apparently
>>>>>>>>>> being charged for their passage by Captain Smith. It turns out to be a
>>>>>>>>>> misunderstanding, and Dixon warms up to the Captain when he discovers he
>>>>>>>>>> enjoys a drink. But there's impending doom on the horizon -- we and
>>>>>>>>>> Cherrycoke's immediate audience know that the French warship l'Grand is
>>>>>>>>>> lurking in the Channel. Mason, in particular, seems to sense it. It turns
>>>>>>>>>> out Ben Coolen (their destination on Sumatra) has fallen to the French, and
>>>>>>>>>> the Captain's been warned by the Admiralty not to sail for it. So they're
>>>>>>>>>> going to head for the Cape of Good Hope instead.
>>>>>>>>>>
>>>>>>>>>> As the ship sails through the Channel -- considered the most
>>>>>>>>>> dangerous body of water in the world by some of its sailors -- we learn
>>>>>>>>>> something of both the captain and his ship. Smith, captain of a near-warship
>>>>>>>>>> (it lacks the full complement of guns) is, himself, no man of war. He'd
>>>>>>>>>> prefer to be sharing a drink and having a philosophical chat with the two
>>>>>>>>>> Men of Science on board. The ship, though, has a proud military record,
>>>>>>>>>> having served with distinction in Quebec. While the sailors sing a chanty
>>>>>>>>>> wherein they rhyme Sumatra with Cleopatra, Cherrycoke discourses on the
>>>>>>>>>> meaning of the ship's motto, Eques Sit AEques, which he translates as "Let
>>>>>>>>>> the Sea-Knight who would command this Sea-Horse be ever fair-minded." At
>>>>>>>>>> which point the l'Grand appears on the horizon, and, being a French ship,
>>>>>>>>>> its intentions are clearly hostile.
>>>>>>>>>>
>>>>>>>>>> The l'Grand proceeds to kick the shit out of the Seahorse.
>>>>>>>>>> Cherrycoke, Mason and Dixon, terrified, are dispatched below to serve as
>>>>>>>>>> makeshift medical aides as the casualties pile up. Finally, the l'Grand
>>>>>>>>>> stops the mayhem and moves on. Cherrycoke's never been sure what transpired,
>>>>>>>>>> and he speculates that either the French captain realized there were men of
>>>>>>>>>> science aboard, signaling: France is not at war with the sciences. Or maybe
>>>>>>>>>> he just realized that the Seahorse was not a worthy foe: You are leetluh
>>>>>>>>>> meennow -- I throw you back. Captain Smith, distraught over the dead and
>>>>>>>>>> wounded lashes out at M and D: Are you two really that important? On deck,
>>>>>>>>>> Mason and Dixon commune over a couple of bottles of grog. Dixon: More like a
>>>>>>>>>> Transit of Mars ...? And the Seahorse limps back to the dockyard.
>>>>>>>>>>
>>>>>>>>>> -
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