NP - wallowing in the banal

[Joseph Tracy]

 Thanks for the recommendations. Have not seen these so will be looking> Of JAM, Day Today and BrassEye where do you suggest starting?
> On Dec 28, 2017, at 2:40 PM, Mark Thibodeau <jerkyleboeuf at gmail.com> wrote:
> 
> By the way, Joseph, to my mind, the greatest satirist in the English language of the last 30 years is probably the UK's Chris Morris, who gave us JAM, The Day Today, Brass Eye, and the magnificent, underappreciated jihadi terror satire Four Lions. Have you seen that one yet? It's a couple years old, but well worth the effort of tracking down. I was heartened to learn that Morris' next film is currently in the pipeline, and should be out next year.
> 
> Also, don't forget BLACK MIRROR! All six episodes of Season Four premiere on Netflix tonight!
> 
> Jerky
> 
> On Thu, Dec 28, 2017 at 2:37 PM, Mark Thibodeau <jerkyleboeuf at gmail.com> wrote:
> Joseph, you haven't gone out to see a movie (in theater I'm guessing) since GHOST STORY?! The Peter Straub adaptation from the early 1980s?! Is this true?!
> 
> If you want a powerful satire, try The Lobster. It's on Netflix still. Lanthimos' follow-up, The Killing of a Sacred Deer, was tremendously something, just not quite sure what.
> 
> J
> 
> On Wed, Dec 27, 2017 at 5:39 PM, Joseph Tracy <brook7 at sover.net> wrote:
> I don’t quite get what people mean by mawkish. Sentimenatlized sickliness is not what I think of with this film maker, but even if his work has some of that it still intrigues me because he seems to be interested in the way weakness connects to strength, and the whole phenomena of unlikely allies.
>   I have been working on an essay called beautiful monsters, which actually is what I thought of in hearing an outline of the Shape of Water story. Haven’t gone out for a movie since Ghost Story.( that too may  have been mawkish, but I found it also thought provoking.) No close theatres here so it will be a trek in a severe cold spell to see it, but I am hoping for food for thought on my essay in progress.
> 
> Is anyone attempting powerful satire in film? Any suggestions?
> 
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> 
> 

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