NP: Re: more new Dylan

[ish mailian]

I agree, Mark
Dylan, in the two Nobel acceptance speeches describes how he developed
and where he got his material, his stories, and characters and
landscapes and motifs and themes.  And these new songs fit those
descriptions. I

I


On Thu, Apr 23, 2020 at 4:07 PM Mark Kohut <mark.kohut at gmail.com> wrote:
>
> One thing I am coming to believe about both his new songs, and it comes out
> of
> his words before and for the Nobel Prize....stuff about the the deep folk
> wisdom [my words, until I check them out]
> of everybody......in Murder Most Foul and this he's got it in all those pop
> songs....and cultural unity things.....Anne Frank
>
> and that last couplet seems fine to me.......over the edge is
> redemption,I'll take Morris's overlaying reading....etc.
>
>
>
>
> On Thu, Apr 23, 2020 at 3:53 PM David Morris <fqmorris at gmail.com> wrote:
>
> > It sounds like a description of the continuous creation/destruction (and
> > creation (and destruction) again) of everything that exists, especially the
> > last line.  Shiva/Shakti,  Life/Death, Emergence/Absorption, etc.
> >
> > David Morris
> >
> > On Thu, Apr 23, 2020 at 1:43 PM Thomas Eckhardt <
> > thomas.eckhardt at uni-bonn.de>
> > wrote:
> >
> > >
> > > Still, this --
> > >
> > > "I’m just like Anne Frank, like Indiana Jones
> > > And them British bad boys, the Rolling Stones
> > > I go right to the edge, I go right to the end
> > > I go right where all things lost are made good again"
> > >
> > > -- seems inappropriate to me. Can someone explain?
> > >
> > >
> > --
> > Pynchon-L: https://waste.org/mailman/listinfo/pynchon-l
> >
> --
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