Plisters are more Hofstadter here than postmodern, I'd say. Or is that just projection?
Thomas Eckhardt
thomas.eckhardt at uni-bonn.de
Fri Dec 25 06:54:03 UTC 2020
"As one of my courses turned to Thomas Pynchon's The Crying of Lot 49,
students' questions about Californian politics motivated me to break
with the traditional reading of Lot 49 as a postmodern novel, whose play
with textual references precludes any interpretation distinguishing
between "fiction" and "history." Instead, I developed an approach to
teaching Lot 49 that situates the novel's interpretive difficulties
within the historical and political terrain of its contemporary California."
Much better.
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