Colors
Aaron Yeater
AYEATER at ksgrsch.harvard.edu
Tue May 2 13:28:11 CDT 1995
> The enormously important subject of color in GR always brings to mind "The
> Wizard of Oz" (film) and the way it strutted its rainbow in front of a
> Depression-haunted audience in the thirties. Ruby slippers, emerald city,
> yellow brick road, shiny happy munchkins. Is it any wonder that Pynchon,
> who confesses to all kinds of Depression nostalgia in _V._, makes his next
> major opus a novel-as-Farbenlehre? Pretty colors, mindless pleasures, Pfau
> Zwei. And yes, the colors *do* change...
interesting--one of the first 'popular' references to GR i ever
noticed was in a new yorker essay by salman rushdie 3 years back or
so--i read it on a plane, and it was one of the best essays i have
read, but i cannot remember all the details. nonetheless, i do
remember rushdie noting a shared literary affinity with pynchon for
the Wizard of Oz. rushdie remembers it for its vibrancy, and i think
its association with the somewhat surreal hindu indian film industry
products...anyway, somehow rushdie brings GR into his discussion...
i'd be curious to hear peoples' reactions to a rushdie-TRP
comparison. i think rushdie has more in common with tom p. than
with, say, the magical realists of latin america--maybe it's the
shared sense of humor about britain, a sort of mocking anglophilia...
anyway, jes curious
aaron
"And my heart laughed: my name
a perfect snare, had trapped him."
-The Odyssey, Book IX
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