Pynchon's back catalogue
Paul Mackin
mackin.paul at verizon.net
Mon Jul 27 17:41:13 CDT 2009
----- Original Message -----
From: "Robin Landseadel" <robinlandseadel at comcast.net>
To: <pynchon-l at waste.org>
Sent: Monday, July 27, 2009 11:44 AM
Subject: Re: Pynchon's back catalogue
> On Jul 27, 2009, at 11:05 AM, Robert Mahnke wrote:
>
>> I take Vineland as being much more about what America's children did
>> to themselves in the 60's, 70's and 80's, than about what was done to
>> them by forces of opression. The reader buys into the idealization of
>> Frenesi, and then sees what Frenesi did. It's much easier to say that
>> it was Them, not us, but isn't that the point?
>
> That's one of the points, but not the only point. On a certain level
> Frenesi's function in the story is much like femme fatale Kathie Moffat
> in Jacques Tourneur's "Out of the Past", playing an opportunist willing
> to play both sides to serve her own interests. And Against the Day points
> just as much as Vineland to the fascist within.
>
> But Vineland's loose clan of activists and misfits were no match for the
> fascists without and many of them—Ronald Reagan, George H.W. Bush, G.
> Gordon Liddy—are called out by their names. C.A.M.P. is not portrayed as
> some useful mode of maintaining social order either, for that matter.
Yeah, but the fascists without were mainly backdrop for the fascists within.
The fascist within made a more interesting story.
The fascist without was dog bites man, while the fascist within was man
bites himself.
I know, it happens everyday.
P
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