GR translation: more steeply than the waking will ever need
Bled Welder
bledwelder at gmail.com
Mon Oct 29 12:14:33 CDT 2012
Remind me to write a book where everything has "multiple meanings". Idiots
will sit around and go, "Well what he meant *here* is, this, or that, and
it could even be this, or that..."
I'll be like that guy who wrote that bitchin book that everybody loves to
read and think about because it's perfectly elusive and multiply meaningful.
"What's he mean here, man?"
"Oh, well in *that* bit there, he possibly meant *this*..."
On Mon, Oct 29, 2012 at 11:57 AM, Markekohut <markekohut at yahoo.com> wrote:
> Nice..".perceptible signs of a different order".....a phrase that could
> have come from Crying of Lot 49 and yes to double meaning (at least)
>
> Sent from my iPad
>
> On Oct 29, 2012, at 11:51 AM, Paul Mackin <mackin.paul at verizon.net> wrote:
>
> > On 10/29/2012 8:28 AM, Markekohut wrote:
> >> Perhaps all, each and every object? The contrast between order and
> randomness.
> >
> > Slothrop senses some kind of disruption in the randomness of the room--a
> Maxwell's Demon perhaps. The room is "coded." There are perceptible signs
> of a different order. Order is double meaning here. There is the order
> (or lack of order) in the arrangement or rearrangement of objects, but
> also there seems to be a Secret Order--the kind of order that takes oaths.
> Another Order.
> >
> > Consider the use of the word "debris" in the book--it occurs 27
> times--first time by Sloat in observing Slothrup' s desk. It's a godawful
> mess, completely random, without significance to Sloat's spy mission.
> Except for one thing--the map of London tacked over the desk--it does seem
> to have meaning, relevance. It's coded. Sloat snaps it with his spy camera.
> >
> > Sloat is still watching Slothrup at the Casino. Only this time it's
> Slothrop who is beginning to Observe.
> >
> > He's not in Kansas anymore. The normal, waking world is not a closed
> system. It's been penetrated.
> >
> > P
> >
> >
> >
> >
> >
> >>
> >> Sent from my iPad
> >>
> >> On Oct 28, 2012, at 10:23 PM, Mike Jing <gravitys.rainbow.cn at gmail.com>
> wrote:
> >>
> >>> I should really have searched my own email before firing that one off.
> >>> But this discussion of "the waking' is giving me new ideas. Now I am
> >>> thinking of the act of waking up from a dream, and the lingering
> >>> images from the dream, which can be thought of as some kind of
> >>> "debris". Or is it actual debris floating and turning in the wake of
> >>> a boat? I may have finally gone off the deep end here.
> >>>
> >>> Anyway, it seems reasonable to assume that "the ordinary debris of
> >>> waking" are the ordinary, everyday objects around Slothrop. Now the
> >>> question becomes, which objects belong to "the
> >>> paraphernalia of an order whose presence he has only lately begun to
> suspect"?
> >>>
> >>> On Sun, Oct 28, 2012 at 3:05 AM, jochen stremmel <jstremmel at gmail.com>
> wrote:
> >>>> 2012/10/28 Mike Jing <gravitys.rainbow.cn at gmail.com>:
> >>>>> On Tue, Oct 23, 2012 at 10:56 PM, David Payne <
> dpayne1912 at hotmail.com> wrote:
> >>>>>> Although see how "waking" is used on p. 205..12::
> >>>>>>
> >>>>>> "For a minute here, Slothrop, in his English uniform, is alone with
> the paraphernalia of an order whose presence among the ordinary debris of
> waking he has only lately begun to suspect."
> >>>>> That reminds me, what are these "ordinary debris of waking" anyway?
> >>>> Until now I thought Laura had the right answer (from the 12th of
> June):
> >>>>
> >>>> It's a nice thought experiment: you're sitting in a cluttered, really
> >>>> messy room, because you're pretty much of a slob (the room's filled
> >>>> with "the ordinary debris of waking."). But then you're told
> >>>> (Slothrop only suspects) that someone has selected certain items in
> >>>> the room and moved them, slightly, without your knowledge, for
> >>>> purposes beyond your understanding ("Their" order) . Which objects?
> >>>> Why? That's how Slothrop feels.
> >>>>
> >>>> Seems still plausible to me.
> >>>>
> >>>> Perhaps we should ask Max what he made of the two wakings in his
> translation?
> >
>
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