M&D Deep Duck 4-6: Yet another reason M&D starts at sea

alice malice alicewmalice at gmail.com
Sat Jan 31 17:52:26 CST 2015


When in Paradise, do as the Paradise People do?

Later in the narrative we know that Pynchon will draw on the popular
image of the Quaker who Fights.

FIGHTING QUAKERS: A JET BLACK WHITENESS,
Jennifer Connerley, Pennsylvania History, Vol. 73, No. 4 (AUTUMN
2006), pp. 373-411

On Sat, Jan 31, 2015 at 4:18 PM, Mark Kohut <mark.kohut at gmail.com> wrote:
> I think I like this A LOT. maybe so...I will add that Dixon, with his sensual pleasure-seeking is like Melville's discovery of non-Puritans, of non-western religion, N. O. Brownian, sex/life embracers
> In Typee, maybe?
>
> Sent from my iPad
>
>> On Jan 31, 2015, at 9:38 AM, alice malice <alicewmalice at gmail.com> wrote:
>>
>> Dixon strikes me as the most Melville inspired character in Pynchon's
>> works; like Melville, as Hawthorne described him, and as Melville
>> described Starbuck, "He can neither believe, nor be comfortable in his
>> un-belief."  Melville wrote a kinda trilogy on the subject, Mardi,
>> White Jacket, M-D, and, of course, BB and BP continue his interest in
>> Pacifism, War, Slavery, Killing whales and men and how Christians of
>> any denomination rationalize these sins against man, nature, and God.
>>
>> see
>>
>> "To Obey, Rebelling": The Quaker Dilemma in Moby-Dick
>>
>> Wynn M. Goering
>> The New England Quarterly
>> Vol. 54, No. 4 (Dec., 1981), pp. 519-538
>>
>>> On Thu, Jan 29, 2015 at 8:16 PM, Mark Kohut <mark.kohut at gmail.com> wrote:
>>> p. 43....Dixon, the Quaker, sez (now) "We should be happy to proceed
>>> to war upon any people, in any
>>> quarter of the Globe, etc."....WTF?
>>>
>>> After being shelled, after the shit-cleansing of Death-Fear, after
>>> Death now even in the cabin....
>>> Dixon is ready to......do unto others as they are trying to do to him?
>>>
>>> in War, war is a contagion....?
>>>
>>>> On Thu, Jan 29, 2015 at 8:11 PM, Mark Kohut <mark.kohut at gmail.com> wrote:
>>>> p. 42 "neither has bother'd to keep his defensive works mann'd against
>>>> the other."
>>>>
>>>> The concept may go back to the first two homo sapiens, or Adam & Eve
>>>> after that bite,
>>>> and I don't have access to an OED as I type,
>>>> but 'defense mechanisms'..'ego defensiveness'....defensiveness (as
>>>> Psychological term)
>>>> goes no further back than the 1950s in GOOGLE BOOKS citations.
>>>>
>>>> Sort of an anachronous characterization very resonant with the concept
>>>> of mann'd ships fighting
>>>> herein.
>>>>
>>>>> On Thu, Jan 29, 2015 at 7:58 PM, Mark Kohut <mark.kohut at gmail.com> wrote:
>>>>> p. 45 near the bottom....a reduction of possibilities....where did we
>>>>> read that before?....in the words on the cattle drives that reduce
>>>>> choice and possibility as they are led into the slaughterhouse in AtD
>>>>> is one place.                   Cf. "single up all lines"
>>>>>
>>>>> in a book on Finnegans Wake, the curse of the Kabbalah is said to be
>>>>> that it makes mankind 'fearful and dependent"....see lines above these
>>>>> on p. 45
>>>>> 'the curse of Kabbalah, the root source of the reduction of human
>>>>> possibilities"----same book..
>>>>>
>>>>>> On Thu, Jan 29, 2015 at 7:44 PM, Mark Kohut <mark.kohut at gmail.com> wrote:
>>>>>> pp 44-45.." 'Terrible, well, as to 'Terrible'..." And what they cannot
>>>>>> speak, some of it not yet, some of it never,  resumes breathless
>>>>>> Sovereignty in the wax-lit Rooms.
>>>>>>
>>>>>> Death......in the equivalent of the Drawing Rooms....
>>>>>>
>>>>>> Cf. "whereof what one cannot speak, one must pass over in
>>>>>> silence"---Wittgenstein (Although he meant something different than
>>>>>> Death, which 'was not an event in life", he said.)
>>>>>> And Mrs. Dalloway.....how dare they talk about death at my party--paraphrase.
>>>>>>
>>>>>> On Thu, Jan 29, 2015 at 1:12 AM, Kai Frederik Lorentzen
>>>>>> <lorentzen at hotmail.de> wrote:
>>>>>>>
>>>>>>>> On 28.01.2015 19:28, kelber at mindspring.com wrote:
>>>>>>>>
>>>>>>>> Pynchon's navy experience was obviously a formative one, given how much
>>>>>>>> ships are used as plot devices, or at least referenced, in his books. So
>>>>>>>> many ripe connections and metaphors. Or is it all about Moby Dick, Alice?
>>>>>>>>
>>>>>>>> Ships in his other books (please add to this list!):
>>>>>>>>
>>>>>>>> V: Profane's a Navy man, and there are multiple shipboard scenes.
>>>>>>>>
>>>>>>>> COL49: Mike Fallopian's recounting of a naval encounter between Russian
>>>>>>>> and American ships. More on this from Martin Eve:
>>>>>>>>
>>>>>>>>
>>>>>>>> http://www.academia.edu/1037657/Historical_Sources_for_Pynchons_Peter_Pinguid_Society
>>>>>>>> GR: Well, the Anubis, of course, and the hijacked U-boat, the toilet ship.
>>>>>>>>
>>>>>>>
>>>>>>> Then there's the vessel of Frau Gnahb:
>>>>>>>
>>>>>>> "'please, mother,' silent otto plaintive in the window of the pilot house.
>>>>>>> in reply the good woman commences bellowing a bloodthirsty ~ sea chanty ~
>>>>>>> i'm the pirate queen of the baltic run, and nobody fucks ~ with me--- ~ and
>>>>>>> those who've tried are bones and skulls, and lie beneath ~ the sea. ~ and
>>>>>>> the little fish like messengers swim in and out their eyes, ~ singing, 'fuck
>>>>>>> ye not with gory gnahb and her desperate ~ enterprise!' ~ i'll tangle with a
>>>>>>> battleship, i'll massacre a sloop, ~ i've sent a hundred souls to hell in
>>>>>>> one relentless swoop--- ~ i've seen the flying dutchman, and each time we
>>>>>>> pass, he cries, ~ 'oh, steer me clear of gory gnahb, and her desperate ~
>>>>>>> enterprise!' ~ whereupon she grips her wheel and accelerates." (pp. 497-498)
>>>>>>> ~~~ [copied this from the archives, I have no idea why I didn't use caps
>>>>>>> back then.]
>>>>>>>
>>>>>>> Regarding the name Gnahb, Steven Weisenburger notes that it is "a backward
>>>>>>> spelling of 'bhang'" (Hindu term for marijuana), --- I do hear echoes of the
>>>>>>> name Ahab, too.
>>>>>>>
>>>>>>>
>>>>>>>> Vineland: Well, not much other than a reference to Zoyd working a cruise
>>>>>>>> gig for Kahuna Airlines.
>>>>>>>>
>>>>>>>> ATD: The SS Stupendica sequence, and the Airship.
>>>>>>>>
>>>>>>>> IV: the Golden Fang
>>>>>>>>
>>>>>>>> Laura
>>>>>>>>
>>>>>>>> BE: If I remember, there's a little scene on a ferry boat.
>>>>>>>>
>>>>>>>> -
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>>>>>>>>
>>>>>>>>
>>>>>>>
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